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Very same remarks as for Giovanna d'Arco however 1 hears that various months of tenor-experience have improved the highest. And what a assure youthful Antonietta Stella was and what a vocal tragedy the disaster of Paolo Silveri a number of years later.
As towards the position of Gabriele Adorno this established wins nevertheless much more on details than with K.O. Bergonzi is now a experienced artist but the voice is actually a shade less great than we are used as well in these several years And it’s stunning that he generally mars his great Verdian-phrasing with superior put sobs.
And afterwards not surprisingly you’ll find ‘Z�rtliche Liebe’ and ‘Wanderlied’. I bear in mind far too properly the minor sniggering when he started these songs along with the Austrian community heard the funny pronunciation. But it before long stopped, All people making the most of the formidable beauty of seem along with the push he brought to those tracks. And after that the house arrived down as Everyone realized how Messrs. Wunderlich, Prey and Dieskau for all their feeling of favor had to give technique to a tenor voice born south on the Alps. I continue to hope his Bregenz 77-concert will pop up sooner or later as he reputedly sang an interesting ‘Zwei grenadiere’.
When the set appeared we have been surprised with the imbalance involving near orchestra and faraway voices but CD and enhanced equipment has place that correct. At the moment we took it without any consideration that this kind of war-horse could even now be cast using an Nearly distinctive distribution of Italians or singers of Italian descent.
It’s possible only his Rodolfo and his Don Carlo are on a similar exalted level. Sutherland and Merrill are high-quality but Bergonzi belongs on the spiteful category:” we will probably under no circumstances listen to his peer again".
A pity, as he is in Excellent voice and Nearly completely avoids singing flat.� A high lying track like ‘L'alba separa ’ will disappear from his repertory. We will meet up with lots of these songs afterwards in his recordings in the eighties and also the nineties, often phrased magnificently but without the full vocal assurance which was continue to with him in 1978. Individually there is only one little disillusion. ‘O Primavera’ is sung a tiny bit far too blandly without the tragic undertones of Hina Spani.
This Dwell performance on the Achieved is a unique doc. Bergonzi by no means recorded the function of Renato des Grieux commercially, nor did Kirsten (in one of her most effective roles) or Sereni. Yet this performance will appear considerably being a shock for most Bergonzi-followers. Obviously at enough time he continue to failed to recognize that This may be his only Manon Lescaut-inheritance, and it had been a Saturday and (even now present) minimal Italy experienced turned out plus they wanted voce, lots of voce. Some of the usual finer Bergonzi-points are certainly not missing: the pianissimo on the final steps of ‘Tu, tu amore’ just after he has succeeded in blasting absent Kirsten a couple of minutes before. The wonderful plangent tones are there in Ah Manon’ but so tend to be the sobs and the furious straining for quantity to make sure that he twice loses the road.
Bergonzi needs to have felt considerably not comfortable in the summer of 1968. For The very first time in a decade he wasn’t questioned to record through summer and autumn. So 1 sees a gaping hole in September in his agenda. Furthermore it needs to have grated his nerves that Decca chose to document Wally Together with the identical soprano and conductor he had sung with in March. The good news is You can find this Are living recording which proves that Hagenbach is just not designed for a lirico.
There is something wrong using this type of recording. There was chat that it would sort the audio-track of the Tosca-movie with Callas and Gobbi actively playing Floria Tosca and Vitellio Scarpia when bad Bergonzi would only lend his voice but as Karajan experienced the Tosca-rights it hardly ever arrived into becoming. But the true issues come up within the imbalance in the voices. This was now very clear around the LP-problem rather than remedied around the CD-reissue. Inside the seem-picture Bergonzi’s voice is considerably in the background and Obviously scaled-down than Callas’. Now this is quite inconsistent with the truth of December 1964 once the opera was recorded in Paris.
He knows that these gentlemen (no Women of all ages nonetheless) previously mentioned all like their performances to become pretty trendy, not pushed , with great best notes which however Really don’t final for an eternity. So he presents them an object lesson in singing, a true Pageant of accurate belcanto in the alternative sense of can belto. But a small amount of the passion of his Met performances is missing and for that final rousing duo, probably the finest last at any time created, he lacks to some degree the brute electricity, the animal energy Del Monaco and Corelli could convey to it. Nevertheless the critics swooned around his functionality and didn’t dwell on his sudden leap downwards in ‘Come un bel di’ as he Plainly felt that otherwise he was gonna crack on his major B. click this site